Adults

At the staid Marcia Blaine School for Girls, in Edinburgh, Scotland, teacher extraordinaire Miss Jean Brodie is unmistakably, and outspokenly, in her prime. She is passionate in the application of her unorthodox teaching methods, in her attraction to the married art master, Teddy Lloyd, in her affair with the bachelor music master, Gordon Lowther, and—most important—in her dedication to "her girls," the students she selects to be her crème de la crème. Fanatically devoted, each member of the Brodie set—Eunice, Jenny, Mary, Monica, Rose, and Sandy—is "famous for something," and Miss Brodie strives to bring out the best in each one. Determined to instill in them independence, passion, and ambition, Miss Brodie advises her girls, "Safety does not come first. Goodness, Truth, and Beauty come first. Follow me."

And they do. But one of them will betray her.

One of the New York Times 10 Best Books of the Year

BEST NONFICTION BOOK OF THE YEAR - TIME MAGAZINE

ONE OF THE BEST 10 BOOKS OF THE YEAR - WASHINGTON POST

NEW YORK TIMES BESTSELLER

WINNER OF THE ORWELL PRIZE

LONGLISTED FOR THE NATIONAL BOOK AWARD

"Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book -- as finely paced as a novel -- Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." - New York Times Book Review, Ten Best Books of the Year

From award-winning New Yorker staff writer Patrick Radden Keefe, a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions

In December 1972, Jean McConville, a thirty-eight-year-old mother of ten, was dragged from her Belfast home by masked intruders, her children clinging to her legs. They never saw her again. Her abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes.

Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. From radical and impetuous I.R.A. terrorists such as Dolours Price, who, when she was barely out of her teens, was already planting bombs in London and targeting informers for execution, to the ferocious I.R.A. mastermind known as The Dark, to the spy games and dirty schemes of the British Army, to Gerry Adams, who negotiated the peace but betrayed his hardcore comrades by denying his I.R.A. past--Say Nothing conjures a world of passion, betrayal, vengeance, and anguish.

“Subtly told and finely made, The Correspondent is a portrait of a small life expanding. Virginia Evans shows how one woman changes at a point when change had seemed impossible. That change, like this novel, turns out to be a cause for celebration.”—Ann Patchett

LIBRARYREADS APRIL PICK • NAMED A GOOD HOUSEKEEPING (UK) MOST ANTICIPATED DEBUT

“Imagine, the letters one has sent out into the world, the letters received back in turn, are like the pieces of a magnificent puzzle, or, a better metaphor, if dated, the links of a long chain, and even if those links are never put back together, which they will certainly never be, even if they remain for the rest of time dispersed across the earth like the fragile blown seeds of a dying dandelion, isn’t there something wonderful in that, to think that a story of one’s life is preserved in some way, that this very letter may one day mean something, even if it is a very small thing, to someone?”

Sybil Van Antwerp has throughout her life used letters to make sense of the world and her place in it. Most mornings, around half past ten, Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter.

Sybil expects her world to go on as it always has—a mother, grandmother, wife, divorcee, distinguished lawyer, she has lived a very full life. But when letters from someone in her past force her to examine one of the most painful periods of her life, she realizes that the letter she has been writing over the years needs to be read and that she cannot move forward until she finds it in her heart to offer forgiveness.

Filled with knowledge that only comes from a life fully lived, The Correspondent is a gem of a novel about the power of finding solace in literature and connection with people we might never meet in person. It is about the hubris of youth and the wisdom of old age, and the mistakes and acts of kindness that occur during a lifetime. Sybil Van Antwerp’s life of letters might be “a very small thing,” but she also might be one of the most memorable characters you will ever read.

NEW YORK TIMES BESTSELLER • FINALIST FOR THE 2025 WOMEN'S PRIZE • A moving and fascinating meditation on freedom, trust, loss, and our relationship with the natural world, explored through the story of one woman’s unlikely friendship with a wild hare.

“A philosophical masterpiece ruminating on our place as human beings in nature.”—Matt Haig, author of The Midnight Library

“A perfect testimony to the transformative power of love. In learning to love an orphaned hare, Chloe Dalton learned to love the whole wild world. The great gift of this remarkable book is the way it teaches us to do the same.”—Margaret Renkl, author of The Comfort of Crows

Imagine you could hold a baby hare and bottle-feed it. Imagine that it lived under your roof and bounded around your bedroom at night, drumming on the duvet cover when it wanted your attention. Imagine that, more than two years later, it still ran in from the fields when you called it and slept in your house for hours on end. For political advisor and speechwriter Chloe Dalton, who spent lockdown deep in the English countryside, far away from her usual busy London life, this became her unexpected reality.

In February 2021, Dalton stumbles upon a newborn hare—a leveret—that had been chased by a dog. Fearing for its life, she brings it home, only to discover how difficult it is to rear a wild hare, most of whom perish in captivity from either shock or starvation. Through trial and error, she learns to feed and care for the leveret with every intention of returning it to the wilderness. Instead, it becomes her constant companion, wandering the fields and woods at night and returning to Dalton’s house by day. Though Dalton feared that the hare would be preyed upon by foxes, weasels, feral cats, raptors, or even people, she never tried to restrict it to the house. Each time the hare leaves, Chloe knows she may never see it again. Yet she also understands that to confine it would be its own kind of death.

Raising Hare chronicles their journey together while also taking a deep dive into the lives and nature of hares, and the way they have been viewed historically in art, literature, and folklore. We witness firsthand the joy at this extraordinary relationship between human and animal, which serves as a reminder that the best things, and most beautiful experiences, arise when we least expect them.

“Tender, riveting, and inventive is Clear, the newest offering and masterpiece from the brilliant Carys Davies. It will take your breath away…What a thrill.” —Sarah Jessica Parker

A “daring and necessary…sophisticated and playful” (The New York Times) novel from an award-winning writer, Clear is the story of a minister dispatched to a remote island to “clear” its last remaining inhabitant—an unforgettable tale of resilience, change, and hope.

John, an impoverished Scottish minister, has accepted a job evicting the lone remaining occupant of an island north of Scotland—Ivar, who has been living alone for decades, with only the animals and the sea for company. Though his wife, Mary, has serious misgivings about the errand, he decides to go anyway, setting in motion a chain of events that neither he nor Mary could have predicted.

Shortly after John reaches the island, he falls down a cliff and is found, unconscious and badly injured, by Ivar who takes him home and tends to his wounds. “Clear chronicles the surprising bond that develops between these two men…pack[ing] a great deal of power into a compact tale” (The Wall Street Journal) about connection, home, and hope—in which John begins to learn Ivar’s language, and Ivar sees himself reflected through the eyes of another person for the first time in decades.

Unfolding during the final stages of the infamous Scottish Clearances—a period of the 19th century which saw whole communities of the rural poor driven off the land in a relentless program of forced evictions—this singular novel explores what binds us together in the face of insurmountable difference, the way history shapes our deepest convictions, and how the human spirit can endure despite all odds. Moving and unpredictable, “a love letter to the scorching power of language” (The Guardian), Clear is “a jewel of a novel” (The Washington Post)—a profound and unforgettable read.

Longlisted for the 2024 National Book Award for Fiction

From "one of our most thrilling and singular innovators on the page" (Laura Van Den Berg), a tightly wound, consuming tale about a 1950s American housewife who goes for a swim in her apartment complex's swimming pool one morning...and won't come out.

It's November 3, 1957. As Sputnik 2 launches into space, carrying Laika, the doomed Soviet dog, a couple begin their day. Virgil Beckett, an insurance salesman, isn't particularly happy in his job but he fulfills the role. Kathleen Beckett, once a promising tennis champion with a key shot up her sleeve, is now a mother and homemaker. On this unseasonably warm Sunday, Kathleen decides not to join her family at church. Instead, she unearths her old, red bathing suit and descends into the deserted swimming pool of their apartment complex in Newark, Delaware. And then she won't come out.

A riveting, single-sitting read set over the course of eight hours, The Most masterly breaches the shimmering surface of a seemingly idyllic mid-century marriage, immersing us in the unspoken truth beneath.

This epic, sweeping historical novel full of "wondrous complexity" spans continents and a century, and reveals how one act of survival can reverberate through generations (Rachel Khong, author of Goodbye, Vitamin). ​

One of the New York Times 100 Notable Books

Longlisted for the Carol Shields Prize for Fiction, the Asian Pacific American Award for Literature in Adult Fiction for 2024

"Remarkable....a haunting, symphonic tale"-- New York Times Book Review

In 1898, Pirbhai, a teenage boy looking for work, is taken from his village in India to labor for the British on the East African Railway. Far from home, Pirbhai commits a brutal act in the name of survival that will haunt him and his family for years to come.

So begins Janika Oza's masterful, richly told epic, where the embers of this desperate act are fanned into flame over four generations, four continents, throughout the twentieth century. Pirbhai's children are born in Uganda during the waning days of British colonial rule, and as the country moves toward independence, his granddaughters, three sisters, come of age in a divided nation. Latika is an aspiring journalist, who will put everything on the line for what she believes in; Mayuri's ambitions will take her farther away from home than she ever imagined; and fearless Kiya will have to carry the weight of her family's silence and secrets.

In 1972, the entire family is forced to flee under Idi Amin's military dictatorship. Pirbhai's grandchildren are now scattered across the world, struggling to find their way back to each other. One day a letter arrives with news that makes each generation question how far they are willing to go, and who they are willing to defy, to secure their own place in the world.

A History of Burning is an unforgettable tour de force, an intimate family saga of complicity and resistance, about the stories we share, the ones that remain unspoken, and the eternal search for home.

Bound in an unwanted marriage, Freya spends her days gutting fish, but dreams of becoming a warrior. And of putting an axe in her boorish husband's back. Freya's dreams abruptly become reality when her husband betrays her to the region's jarl, landing her in a fight to the death against his son, Bjorn. To survive, Freya is forced to reveal her deepest secret: She possesses a drop of a goddess's blood, which makes her a shield maiden with magic capable of repelling any attack. It was foretold such a magic would unite the fractured nation of Skaland beneath the one who controls the shield maiden's fate. Believing he's destined to rule Skaland as king, the fanatical jarl binds Freya with a blood oath and orders Bjorn to protect her from their enemies. Desperate to prove her strength, Freya must train to fight and learn to control her magic, all while facing perilous tests set by the gods. The greatest test of all, however, may be resisting her forbidden attraction to Bjorn. If Freya succumbs to her lust for the charming and fierce warrior, she risks not only her own destiny but the fate of all the people she swore to protect.

“Delightful.” —Town & Country • “Extraordinary...Tomlinson’s book is a gem.” —Star Tribune (Minneapolis) • “Moving...Really broke me.” —The Washington Post • “This book wants to lick your face. Let it.” —Kirkus Reviews

Pulitzer Prize finalist Tommy Tomlinson explores the bond between dogs and their people in this irresistibly appealing, inside account of the Westminster Dog Show that follows one dog on his quest to become a champion.

Tommy Tomlinson was watching a dog show on television a few years ago when he had a sudden thought: Are those dogs happy? How about pet dogs—are they happy? Those questions sparked a quest to venture inside the dog-show world, in search of a deeper understanding of the longtime relationship between dogs and humans, and here, in Dogland he shares his surprising, entertaining, and moving adventures.

Spending three years on the road, Tomlinson goes behind the scenes at more than one hundred competitions across the country, from Midwestern fairgrounds to Madison Square Garden. Along the way he is licked, sniffed, and rubbed up against by dogs of nearly every size, shape, and breed. Like a real-life version of the classic mockumentary Best in Show, Dogland follows one champion show dog—a Samoyed named Striker—as well as his handler, Laura King, and his devoted entourage of breeders and owners as he competes in the 2022 Westminster Dog Show.

Striker’s whole career has been leading up to this moment. As Tomlinson writes, picking a top show dog is like drafting an NFL quarterback when they’re still in elementary school. Now Striker has made it to the Super Bowl. Tomlinson takes us on the long road to glory, bringing the dog-show circuit to life as teams scramble from town to town in search of championship ribbons. (Striker and his crew travel in a custom-built RV named after Betty White.)

Tomlinson’s limitless curiosity about people and dogs reaches far beyond the show tents and into the ordinary lives of dogs. We hear from experts who have discovered new insights into how dogs and humans formed their bond—and how that bond has changed over the centuries. We discover the fascinating origins of different dog breeds, learn about the elaborate breed standards that determine an ideal show dog, and consider the health issues that can arise in purebred dogs. We also meet dog lovers who applaud every dog, regardless of breed, simply for being themselves, such as WeRateDogs, the social media phenomenon with millions of followers, all for posts celebrating the day-to-day goofiness in most dog owners’ lives.

“A big ol’ slobbering smooch of optimism, laughter, and happiness” (Joe Posnanski) Dogland takes us on a rollicking tour through the rituals, tricks, and wonders of the dog-show world—and reveals what matters most for the happiness of dogs and dog lovers everywhere.

A bold and haunting debut story collection that follows various characters as they navigate the day-to-day perils of Jim Crow racism from Diane Oliver, a missing figure in the canon of twentieth-century African American literature, with an introduction by Tayari Jones

A remarkable talent far ahead of her time, Diane Oliver died in 1966 at the age of 22, leaving behind these crisply told and often chilling tales that explore race and racism in 1950s and 60s America. In this first and only collection by a masterful storyteller finally taking her rightful place in the canon, Oliver's insightful stories reverberate into the present day.

There's the nightmarish "The Closet on the Top Floor" in which Winifred, the first Black student at her newly integrated college, starts to physically disappear; "Mint Juleps not Served Here" where a couple living deep in a forest with their son go to bloody lengths to protect him; "Spiders Cry without Tears," in which a couple, Meg and Walt, are confronted by prejudices and strains of interracial and extramarital love; and the high tension titular story that follows a nervous older sister the night before her little brother is set to desegregate his school.

These are incisive and intimate portraits of African American families in everyday moments of anxiety and crisis that look at how they use agency to navigate their predicaments. As much a social and historical document as it is a taut, engrossing collection, Neighbors is an exceptional literary feat from a crucial once-lost figure of letters.